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Welcome to MediaRites

MediaRites, a nonprofit production organization based in Portland, Oregon, dedicated to telling the stories of diverse cultures and giving voice to the unheard through the arts, education and media projects. Since 1984, How Long You Have To Wait After Taking Cialis - Cheap Generic Cialishas produced award-winning radio and film documentariesinteractive websites, theatre and outreach projects.

Donate to How Long You Have To Wait After Taking Cialis - Cheap Generic Cialisvia PayPal:


Projects

Radio

How Long You Have To Wait After Taking Cialis - Cheap Generic Cialishas a history of award winning cross-cultural documentaries including the 8-hour Asian Pacific American history series Crossing East, winner of the Peabody in 2007.

Theatre

See How Long You Have To Wait After Taking Cialis - Cheap Generic Cialiscurrent and past stage productions. Our current project, Theatre Diaspora, presents staged readings to highlight Asian American/Pacific Islander plays and arts.

Community Outreach

Through the years, How Long You Have To Wait After Taking Cialis - Cheap Generic Cialishas worked with community organizations and schools to create arts and media opportunities for students, underserved groups in the Portland-metro area.

Video

See videos created for the Crossing East series, winner of Peabody award in 2007, a flash video from the Coming Home project in Kodiak, AK ion 2009  and the Mei Mei film in 2014

The Latest

After the War Blues at PSU Lincoln Hall Studio Theatre, June 4 & 5, 2016

ATWB2-cool300dpiMediaRites‘ Theatre Diaspora presents the Oregon premiere of After the War Blues by award-winning playwright Philip Kan Gotanda, co-directed by notable Portland actors and directors Bobby Bermea and Jamie Rea.

Two staged reading performances will be at 1:30pm on Saturday, June 4, 2016, and at 1:30pm on Sunday, June 5, 2016. Both at Portland State University’s Lincoln Hall Studio Theatre (1620 SW Park Avenue, Portland, OR 97201).

Tickets are $10 each for general seating and $5 each for students and Oregon Trail cardholders. Tickets available for purchase now at www.theatrediaspora.org and Brown Paper Tickets. Seating is limited to 90 per performance.

In addition to visiting Portland to attend both performances and post-show audience talkbacks, playwright Philip Kan Gotanda will teach a playwriting master class funded by The Dramatists Guild Fund on Friday, June 3, 2016, at Portland Center Stage. To register for the class, visit https://www.pcs.org/blog/playwriting-masterclass-with-philip-kan-gotanda. Attendance is limited to 80 people.

unspecified-3After the War Blues takes place in the aftermath of World War II in San Francisco’s Western Addition District where some Japanese Americans returned from internment camps. African Americans, white Southern migrants, and Russian Jews were also arriving to start new lives. All the characters struggle to get along with limited resources while trying to find their place in this mix of cultures.

Chet Monkawa, the play’s central character, is a jazz trumpeter who returned to his family’s rooming house after the internment, but his old neighborhood isn’t the same. The rooming house is filled with new transplants, and Chet and his boarders must find a new harmony in uncertain times.

The cast comprises Wynee Hu and Larry Toda, bunspecified-1oth core ensemble members of Theatre Diaspora, and local actors: Leo Lin, James Dixon, Ken Yoshikawa, Ashley Williams, Caitlin Fisher Draeger, Colin Kane, Adrian Baxter, Brooke Calcagno, and Isaiah Sims. Natasha Stockem is the stage manager for this production.

This Portland production is co-produced by Dmae Roberts, Samson Syharath, and Alex Haslett of Theatre Diaspora.

Following the performance on June 5th, the post-show talkback will include community members : Kara Carmosino (APANO), Michael Grice (Nothing But Quality education leader,) and Kimberly Moreland (author of African Americans in Portland.)

About the Directors

Bobby Bermea is the producing artistic director of The Beirut Wedding World Theatre Project, artistic director of BaseRoots Theatre, a founding member of Badass Theatre Company, and a long-standing member of Sojourn Theatre. He received a Drammy nomination for Outstanding Director for his work on unspecifiedWait Until Dark with Northwest Classical and recently directed The Blue Door f0r Profile Theatre Project. 

Jamie M. Rea, award-winning director, designer, and performer, has worked internationally, and is the executive artistic director for The Beirut Wedding World Theatre Project. Some of her local productions include The Devil and Billy Markham, Songs for a New World with Staged! and the Miracle Theatre Group, and The 1940’s Radio Hour with Enlightened Theatrics.

First read-through photos by Alex Haslett

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After the War Blues and Philip Kan Gotanda Master Class

ATWB2-cool300dpiMediaRites‘ Theatre Diaspora presents the Oregon premiere of After the War Blues by award-winning playwright Philip Kan Gotanda, directed by Bobby Bermea and Jamie Rea.

Two staged-reading performances will be at 1:30pm on Saturday, June 4, 2016, and at 1:30pm on Sunday, June 5, 2016. Both at Portland State University’s Lincoln Hall Studio Theatre (1620 SW Park Avenue, Portland, OR 97201) with the playwright attending the performances and post-show audience talkbacks.

Tickets are $10 each for general seating and $5 each for students and Oregon Trail cardholders. Tickets will be available for purchase beginning May 1, 2016, at www.theatrediaspora.org and Brown Paper Tickets.

After the War Blues takes place in the aftermath of World War II in San Francisco’s Western Addition District where some Japanese Americans returned from internment camps. African Americans who came to San Francisco were seeking work, white Southern migrants were looking for economic opportunity, and Russian Jews were arriving to start new lives. All the characters struggle to get along with limited resources while trying to find their place in this mix of cultures. Central character Chet Monkawa is a jazz trumpeter who returns to his family’s rooming house after the internment, but his old neighborhood isn’t the same. The rooming house is now filled with new transplants, and Chet and his fellow boarders must find a new harmony amidst uncertain times.

Basic CMYKWith generous support from Oregon Humanities to bring the playwright to Portland and for the post-show discussions following each performance, featuring the playwright on June 4th and community members on June 5th: Kara Carmosino (APANO), Michael Grice (Nothing But Quality education leader,) and Kimberly Moreland (author of African Americans in Portland.)

Master Class by Philip Kan Gotanda, Renowned Playwright

PhilipKanGotanda-webPhilip Kan Gotanda will teach a playwriting master class at 5:30 p.m. on Friday, June 3, 2016, as part of The Dramatists Guild Fund’s Traveling Masters Program. This prestigious national outreach program brings prominent dramatists into communities across the country to lead master classes, workshops, talkbacks, and other public events. The class will be free to the public and will be at Portland Center Stage (128 NW 11th Avenue, Portland, OR 97209), which donated the space for this event. To register for the class visit https://www.pcs.org/blog/playwriting-masterclass-with-philip-kan-gotanda.

Screen Shot 2016-04-21 at 9.30.13 AMGotanda’s Portland visit and master class are made possible through The Dramatists Guild Fund’s Traveling Masters Program, the official Presenting Sponsor; Portland playwright and Dramatists Guild Regional Rep, Francesa Piantadosi; and Karin Magaldi, Head of the Theatre Program and Associate Director of the School of Theatre and Film, Portland State University. Theatre Diaspora also received venue support from Portland Center Stage for the master class as well as funding from Oregon Humanities to support travel and the two post-show talkbacks with Gotanda and community leaders. And generous support for our season from the Collins Foundation and the Oregon Community Foundation. 

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Crossing East Archive Project

Nearly ten years ago, How Long You Have To Wait After Taking Cialis - Cheap Generic Cialisdebuted Crossing East, (Our Stories, Our History, Our America), the first and to date only Asian American/Pacific Islander history series on public radio.

We are embarking on an exciting project to save the 300 hours of oral history recordings gathered for this groundbreaking Peabody Award-winning radio series hosted by George Takei and Margaret Cho.

Our goal is to put all the interviews, transcripts and photos online for the public to use for educational purposes. This act of preservation is called The Crossing East Archive Project.

How Long You Have To Wait After Taking Cialis - Cheap Generic Cialishas been awarded partial funding from the Oregon Arts Commission, the Regional Arts and Culture Council and the PGE Foundation to begin building the multimedia Crossing East archive. We will also create two event projects to celebrate the 10th anniversary.

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